What’s in a picture?

A picture’s worth a thou­sand words. Behind gifted eyes, is a vision, a gen­tle whis­per from the heart, an artist’s soul. Like the deaf­en­ing silence in a vibrant dream,

…every pic­ture tells a story with a dif­fer­ent point of view.

Postscripts

Curated by WILL WIRIAWAN

Sopranos: The Last Supper
© Annie Leibovitz

Related to this last post, the sub­tle, smooth and near shad­ow­less light­ing style of the likes of Annie Leibovitz is called the Sfumato, a tech­nique believed to be pio­neered and pop­u­lar­ized by Leonardo da Vinci, who began to prac­tice it con­sis­tently on his late-career paint­ings, per­fected it on his mas­ter­piece, the Mona Lisa:

The most promi­nent prac­ti­tioner of sfu­mato was Leonardo da Vinci, and his famous paint­ing of the Mona Lisa exhibits all the advan­tages of the tech­nique. The his­tor­i­cal value of this paint­ing con­sists pre­cisely in the sub­tle but accu­rate way in which emo­tions are expressed. This expres­sion is due in no small part to the gen­tle shad­ing that sfu­mato pro­motes. Leonardo da Vinci described sfu­mato as “with­out lines or bor­ders, in the man­ner of smoke or beyond the focus plane.“[2]

While it’s rel­a­tively easy to achieve the affect in mod­ern stu­dio pho­tog­ra­phy, it is a dif­fer­ent story for cap­tur­ing the life in it, pho­tog­ra­phers like Annie is mas­ter­ful at achiev­ing them con­sis­tently, but that too, comes after decades of prac­tice and a skill­ful dig­i­tal retoucher.