What’s in a picture?

A picture’s worth a thou­sand words. Behind gifted eyes, is a vision, a gen­tle whis­per from the heart, an artist’s soul. Like the deaf­en­ing silence in a vibrant dream,

…every pic­ture tells a story with a dif­fer­ent point of view.

Postscripts

Curated by WILL WIRIAWAN

Adobe Principal Scientist Lars Borg:

Macintosh, in 1984, intro­duced us to desk­top pub­lish­ing and to dis­plays with shades of grays. Publishing at that time meant print­ing presses, and the dot gain of a typ­i­cal press (then and now) cor­re­sponds to a gamma of 1.8. As color man­age­ment was non-existent at the time (the first color man­age­ment solu­tions did not appear until early 1990s, when color dis­plays became more avail­able), Apple’s pick of a 1.8 dis­play gamma enabled the Macintosh dis­plays to match the press.

Snow Leopard uses a new default gamma of 2.2, result­ing in a darker, deeper shade of color in your dis­play. I have been cal­i­brat­ing my dis­play (check out SuperCal) with this set­ting since Mac OS X Tiger to match my local printer’s Windows dom­i­nated oper­at­ing envi­ron­ment, and it’s no sur­prise that Apple is going down this road, as it’s only log­i­cal & eas­ier for users like me to deal with production.

John Nack on Adobe: Why your Web con­tent will look darker on Snow Leopard via Daring Fireball